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The Open Access version of this book has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 licence, funded by a Bowdoin College Faculty Development Committee Award.
The Reparative Impulse of Queer Young Adult Literature is a provocative meditation on emotion, mood, history, and futurism in the critique of queer texts created for younger audiences. Given critical demands to distance queer youth culture from narratives of violence, sadness, and hurt that have haunted the queer imagination, this volume considers how post-2000s YA literature and media negotiate their hopeful purview with a broader—and ongoing—history of queer oppression and violence. It not only considers the tactics that authors use in bridging a supposedly “bad” queer past with a “better” queer present, but also offers strategies on how readers can approach YA reparatively given the field’s attachments to normative, capitalist, and neoliberal frameworks. Central to Matos’ argument are the use of historical hurt to spark healing and transformation, the implementation of disruptive imagery and narrative structures to challenge normative understandings of time and feeling, and the impact of intersectional thinking in reparative readings of queer youth texts. The Reparative Impulse of Queer Young Adult Literature shows how YA cultural productions are akin to the broader queer imagination in their ability to move and affect audiences, and how these texts encapsulate a significant and enduring change in terms of how queerness is—or can be—read, structured, represented, and felt.
critics’ reviews
“The Reparative Impulse of Queer Young Adult Literature is a treatise on queer futures, pasts, and presents, an homage to queer texts that represent the hurts alongside the optimism. In this stylish and astute study, Matos asks us to consider what it means to consume queer YA literature and culture within frameworks of pain, suffering, and the reparative possibilities open to us when we acknowledge past wounds and tragedies. Above all, this book asks us to make room for all the messy underpinnings of queer YA literature: the pain, hurts, and even happiness. Urging readers to embrace these contradictions, Angel Daniel Matos offers a refreshing approach to the study of queer YA cultures and literature.”
Dr. Cristina Herrera, author, Welcome to Oxnard: Race, Place, and Chicana Adolescence in Michele Serros’ Writings (2024)and ChicaNerds in Chicana Young Adult Literature: Brown and Nerdy (2020)
“The Reparative Impulse of Queer Young Adult Literature artfully challenges the melancholic and often normative roots of queer YA literature by engaging with reparative frameworks that seek out hope as an act of resistance. Matos’s deft inclusion of film and video games alongside more traditional texts is a breath of fresh air and positions The Reparative Impulse to be required reading for any who wish to keep up with the field.”
Dr. Cristina Rhodes, Associate Professor of English, Shippensburg University
“Matos approaches this reparative reading of queer YA through a complex look at how these texts refer to, move away from, or both at once, a queer past that that has often included harm. Reading queer YA is personal and often messy for Matos and all queer readers, and he shows this through a nuanced analysis of YA texts in multiple forms. This analysis is especially poignant when Matos discusses how he responded as a queer Latine to texts with queer Latine main characters.”
Dr. Summer Melody Pennell, author, Queering Critical Literacy and Numeracy for Social Justice: Navigating the Course (2019)
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the reparative impulse of
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The contributors to Media Crossroads examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability. Considering a wide range of film, television, video games, and other media, the authors show how spaces—from the large and fantastical to the intimate and virtual—are shaped by the social interactions and intersections staged within them. The highly teachable essays include analyses of media representations of urban life and gentrification, the ways video games allow users to adopt an experiential understanding of space, the intersection of the regulation of bodies and spaces, and how style and aesthetics can influence intersectional thinking. Whether interrogating the construction of Portland as a white utopia in Portlandia or the link between queerness and the spatial design and gaming mechanics in the Legend of Zelda video game series, the contributors deepen understanding of screen cultures in ways that redefine conversations around space studies in film and media.
critics’ reviews
“Media Crossroads offers a remarkable set of essays that demonstrate the new insights that can emerge when we apply a purposeful intersectional lens in media studies. As we move through screen spaces of different types (past, present, public, private) in different media (television, cinema, video games, social media), we feel the exhilaration of this volume’s collective experimental project to identify and interrogate spatialized structures of power across the media landscape.”
Jacqueline Najuma Stewart, author of Migrating to the Movies: Cinema and Black Urban Modernity
“Media Crossroads invites scholars to rethink space and intersectionality, including and going beyond the confines of cities, lands, and architectures. Its analysis of commercial, mainstream, and avant-garde film and media as well as its focus on intersectionality makes it an innovative and important contribution to film and media studies.”
Yeidy M. Rivero, author of Broadcasting Modernity: Cuban Commercial Television, 1950–1960
“The intersectional lens developed in [Media Crossroads] is original, vigorous, and reflective enough to alter the readers’ perspectives towards media texts that they have seen before and the ones they will experience in the future. Its lasting influence will make the readers rethink, reconfigure, and reimagine the potential of intersectional space and identities on and offscreen.”
Da Ye Kim, E3W Review of Books
